![]() Ulrich Thieme and Felix Becker, “Renoir,” in Allgemeines Lexikon der Bildenden Künstler, vol.Coburn,” Bulletin of the Art Institute of Chicago 26, 6 (Nov. Daniel Catton Rich, “The Bequest of Mrs.Coburn Leaves 83 Pictures, $200,000 Funds, to Chicago,” Art Digest 6, 18 (July 1, 1932), p. ![]() Coburn Collection: Modern Paintings and Watercolors, exh. Art Institute of Chicago, Exhibition of the Mrs.Hans Heilmaier, “Alfred Sisley,” Die Kunst 63, 5 (Feb.Reginald Howard Wilenski, French Painting (Hale, Cushman & Flint, 1931), p.Julius Meier-Graefe, Renoir (Klinkhardt & Biermann, 1929), pp.Translated into English by Madeleine Boyd as Renoir (Crown, 1937), p. Théodore Duret, Renoir (Bernheim-Jeune, 1924), p.Julius Meier-Graefe, Renoir (Klinkhardt & Biermann, 1929), p.Georges Rivière, Renoir et ses amis (H.(Ny Carlsberg Glyptotek Malerisale, 1921), p. Ny Carlsberg Glyptotek Malerisale, Copenhagen, August Renoir: Udstilling af hans Arbejder I Skandinavisk Eje samt Udlaan fra Franske Samlere, exh.Georges Lecomte, “L’oeuvre de Renoir,” L’art et les artistes 4, 14 (Jan.Weaver as Renoir: An Intimate Record (Knopf, 1925), pp. Ambroise Vollard, La vie and l’oeuvre de Pierre-Auguste Renoir (A.Durand-Ruel, Paris, Portraits par Renoir, exh.Louis Vauxcelles, “Portraits contemporains,” L’art et les artistes 6 (Oct.Henry Morrison, “Auguste Renoir, Impressionist,” Brush and Pencil 17, 5 (May 1906), p.Grossen Kunstausstellung, Offizieller Katalog der Grossen Kunstausstellung Dresden 1904, exh.Konody as The French Impressionists (1860–1900) (Duckworth/E. (Librairie de l’Art Ancien et Moderne, 1904), pp. Camille Mauclair, L’impressionnisme: Son histoire, son esthétique, ses maîtres, 2nd ed.Camille Mauclair, “L’oeuvre d’Auguste Renoir,” L’art décoratif 41, pt.“Collection d’un amateur,” Gazette de l’hôtel Drouot 86–87 (Mar.Julien Leclercq, “Alfred Sisley,” Gazette des beaux-arts 21, 3 (Mar.Reprinted in Paul Gachet, Le docteur Gachet et Murer: Deux amis des impressionnistes (Musées Nationaux, 1956), p. Trublot, “La collection Murer,” Le cri du peuple 43 (Oct.Émile Bergerat, “Revue artistique: Les impressionistes et leur exposition,” Journal officiel de la république française 105 (Apr.1,Reviews (Fine Arts Museums of San Francisco/University of Washington Press, 1996), p. Reprinted in Ruth Berson, ed., The New Painting: Impressionism, 1874–1886 Documentation, vol. “Exposition des impressionnistes: 6, rue Le Peletier 6,” La petite republique française, Apr.1, Reviews (Fine Arts Museums of San Francisco/University of Washington Press, 1996), p. Paul Sébillot, “Exposition des impressionnistes,” Le bien public, Apr.Georges Rivière, “L’exposition des impressionnistes,” L’impressionniste 1 (Apr.Catalogue de la 3e exposition de peinture, exh.The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. ![]() Lewis Larned Coburn Memorial Collection Reference Number 1933.453 IIIF Manifest (circa) or BCE.ġ870–1876 Medium Oil on canvas Inscriptions Inscribed lower right: Renoir Dimensions 66.2 × 54.8 cm (26 × 21 9/16 in.) Credit Line Mr. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. In: Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, p.About this artwork Status On View, Gallery 201 Department Painting and Sculpture of Europe Artist Pierre-Auguste Renoir Title Alfred Sisley Place France (Artist's nationality) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. He received little recognition in his lifetime and from 1871, when his father was no longer able to support him, spent much of his life in poverty. Also worked in Britain in 1874 (especiallyĪround Hampton Court) and 1897 (the coast near Cardiff). After working at Louveciennes, Marly-le-Roi, Sèvres and elsewhere on the outskirts of Paris, he settled in 1880 near Moret-sur-Loing, and painted there most of his late works. Exhibited with the Impressionists in 1874, 1876, 18, and had his first one-man exhibition at La Vie He and his friends left aboutįive months later and began to paint out of doors, directly from nature, in the region of Paris and in the Forest of Fontainebleau. Then turned to painting and in 1862 entered the studio of Gleyre, where he met Renoir, Monet and Bazille. Was sent to London for four years to prepare for a commercial career. Impressionist landscape painter, born in Paris of expatriateĮnglish parents (but had a French grandmother). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |